The excessive carbon in clouds is similar to the excessive information in “cloud”, both of which are invisible to naked eyes, but covering the entire globe with a tremendous scale. Elements, such as light, carbon, electromagnetic waves, and nuclear, are changing the “atmospheric” framework from terra to ether: from earth-based stations, power networks, computing and cloud service, high-altitude aircraft, to ecosystem. The utilization of invisible elements is quietly changing the geology, urban texture and atmospheric environment.
The excessive carbon in clouds is similar to the excessive information in “cloud”, both of which are invisible to naked eyes, but covering the entire globe with a tremendous scale. Elements, such as light, carbon, electromagnetic waves, and nuclear, are changing the “atmospheric” framework from terra to ether: from earth-based stations, power networks, computing and cloud service, high-altitude aircraft, to ecosystem. The utilization of invisible elements is quietly changing the geology, urban texture and atmospheric environment.
This research and publication project is initiated by a series field investigation that focuses on projects happening in China: Shenzhen’s nuclear power plant and blue carbon sink, Qinghai’s photovoltaic park and its impact on agriculture and animal husbandry, Guizhou’s data center and cloud services……Through research, the project aims to externalize the tangible structure of invisible elements, such as light, carbon, nuclear and etc, which intervene the relationship between human and nature with a new design language.
Curator, Designer, Creator. Graduated from Rhode Island School of Design Architecture Department, and now work as curator and design researcher for MAD Architects. Founder of research-based art and design organization, Conversazione(CVSZ), which has host around hundreds of exhibitions, workshops and forums in Beijing and New York. Her interdisciplinary research is dedicated to spatial politics, media technology and ecological design. She has curated exhibition “Vibrating Clouds” (Design Society, 2021) and “Qiwu: Natural Footprints in Technological Vicissitude” (OCAT, 2020). Her practice ranges from architectural design, gamified theater to experimental films. She has won Bronze plate in MEIHODO International Youth Visual Media Festival (2019), Curator Award in Design Curating Plan by Design Society (2021), and Design Trust Seed Grant (2022).