Villa Moderne: In search of Hong Kong Post-war Modern Homes

Along the southern shores of Hong Kong Island like Shek O and Repulse Bay, most modern villas find their muse in the serene beauty of French Riviera. These homes, rapidly emerging later across the hilly and rocky urban terrains like Kadoorie Hill or Jardine’s Lookout, or the garden city like Kowloon Tong, serve as enduring symbols of affluence in society and class distinctions soon after WWII.

Along the southern shores of Hong Kong Island like Shek O and Repulse Bay, most modern villas find their muse in the serene beauty of French Riviera. These homes, rapidly emerging later across the hilly and rocky urban terrains like Kadoorie Hill or Jardine’s Lookout, or the garden city like Kowloon Tong, serve as enduring symbols of affluence in society and class distinctions soon after WWII.

Over time, many gated modern villas have disappeared quietly. Some have been replaced by imitation palaces with oversized columns that do not blend well with the natural surroundings. These homes are seen as symbols of luxury but are often criticized for their excessive use of gold and marble—a style that is often criticized for its absence of taste. This project aims to expand the public’s understanding of Hong Kong modern villas as a cultural heritage of 50-70s local design by creating a platform as well as a physical exhibition. It will shift the focus of real estate sale of these properties from a purely profit-driven market towards a more design-led approach. This will involve mapping, documenting, and modelling to foster an appreciation for the art and history of architecture.

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2024
Grantee: Alex Yuen

Alex Yuen is an architect (RIBA/ARB) and the co-author of “The Lost Modern: 25 Modernist Buildings in Hong Kong”. He graduated from the Department of Architecture at the University of Hong Kong and the Architectural Association School of Architecture (AA) in London. He has participated in the conservation campaign for the State Theatre and the design and curation work for the Shenzhen-Hong Kong Bi-City Biennale of Urbanism\Architecture. In 2021, he founded The Lostcopies and co-founded the Filing Archives & Architectural Research (FAAR), focusing on digital technology to document disappearing urban architecture. In 2022, he co-curated an exhibition of Raymond Gordon Brown’s work on post-war architecture in Hong Kong.